Tuhin Article's

The Perilous Journey of Bangladeshi Migrants Across the Mediterranean: A Data-Driven and Research-Based Analysis

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Crossing the Sea of Despair: Tuhin Sarwar's Data-Driven Investigation into Bangladeshi Mediterranean Migration Abstract This article presents a comprehensive analysis of the contemporary migration patterns of Bangladeshi nationals across the Mediterranean Sea, focusing on data from 2018 to 2025. Using validated reports from the International Organization for Migration (IOM), United Nations High Commissioner for Refugees (UNHCR), and the European Border and Coast Guard Agency (Frontex), the study explores the socio-economic drivers, migration routes, mortality rates, human trafficking networks, and the international response mechanisms. The findings highlight the urgency of policy reforms aimed at safer migration pathways, enhanced regional cooperation, and human rights protections. Introduction In recent years, the Mediterranean Sea has become one of the deadliest migration corridors worldwide. Bangladesh, a South Asian country facing economic challenges, climate vulnerability, and...

āĻĄ. āχāωāύুāϏ āĻāϰ āϏāĻŽ্āĻŽাāύে āĻ­াāϰāϤেāϰ āĻšাāύি āϏিং-āĻāϰ āĻ—াāύ ! ā§­ āĻĻিāύে ā§Ģā§Ŧ āĻŽিāϞি⧟āύ āĻ­িāω, āĻ­াāϰāϤ-āĻŦাংāϞাāĻĻেāĻļে āφāϞোāϚāύাāϰ āĻā§œ

āϤুāĻšিāύ āϏাāϰো⧟াāϰ 

“Gali Mein Aag, Jhooton Ka Raaj” āĻšাāύি āϏিং-āĻāϰ āĻ—াāύāϟি āχāωāϟিāωāĻŦ, āϟিāĻ•āϟāĻ• āĻ“ āχāύāϏ্āϟাāĻ—্āϰাāĻŽে āĻĻ্āϰুāϤ āĻ­াāχāϰাāϞ āĻšā§ŸেāĻ›ে—āĻŽাāϤ্āϰ āĻāĻ• āϏāĻĒ্āϤাāĻšেāχ ā§Ģā§Ŧ āĻŽিāϞিāϝ়āύেāϰ āĻŦেāĻļি āĻ­িāω, āĻ•ā§ŸেāĻ• āϞāĻ•্āώ āϞাāχāĻ• āĻ“ āĻšাāϜাāϰ āĻšাāϜাāϰ āĻŽāύ্āϤāĻŦ্āϝে āĻ›ে⧟ে āĻ—েāĻ›ে।










“Gali Mein Aag, Jhooton Ka Raaj” āĻļিāϰোāύাāĻŽে, āϏāĻŽ্āĻĒ্āϰāϤি āĻ­াāϰāϤেāϰ āϜāύāĻĒ্āϰি⧟ āϰ্āϝাāĻĒ āĻļিāϞ্āĻĒী āĻ‡ā§Ÿো āĻ‡ā§Ÿো āĻšাāύি āϏিং āϏāĻŽ্āĻĒ্āϰāϤি āĻāĻ•āϟি āϰ্āϝাāĻĒ āĻ—াāύ āĻĒ্āϰāĻ•াāĻļ āĻ•āϰেāĻ›েāύ, āϝা āĻ‰ā§ŽāϏāϰ্āĻ— āĻ•āϰা āĻšā§ŸেāĻ›ে āĻŦাংāϞাāĻĻেāĻļেāϰ āύোāĻŦেāϞāϜ⧟ী āĻ…āϰ্āĻĨāύীāϤিāĻŦিāĻĻ āĻĄ. āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύুāϏāĻ•ে। āĻŽাāϤ্āϰ āϏাāϤ āĻĻিāύেāϰ āĻŽāϧ্āϝে āĻ—াāύāϟি ā§Ģā§Ŧ āĻŽিāϞি⧟āύেāϰāĻ“ āĻŦেāĻļি āĻ­িāω āĻĒে⧟েāĻ›ে āĻāĻŦং āĻāϟি āĻ­াāϰāϤ-āĻŦাংāϞাāĻĻেāĻļে āĻŦ্āϝাāĻĒāĻ• āφāϞোāϚāύাāϰ āϏৃāώ্āϟি āĻ•āϰেāĻ›ে। 


āĻĒ্āϰāĻ•াāĻļিāϤ āĻāĻ•āϟি āϰ্āϝাāĻĒ āĻ—াāύāϟি āĻļুāϧু āϏংāĻ—ীāϤāĻĒ্āϰেāĻŽীāĻĻেāϰ āύ⧟—āĻĻুāχ āĻĒ্āϰāϤিāĻŦেāĻļী āĻĻেāĻļেāϰ āĻ—āĻŖāĻŽাāύুāώেāϰ āĻŽāϧ্āϝেāĻ“ āφāϞো⧜āύ āϤুāϞেāĻ›ে। āĻ­াāϰāϤেāϰ āϜāύāĻĒ্āϰি⧟ āϰ্āϝাāĻĒ āϤাāϰāĻ•া āĻ‡ā§Ÿো āĻ‡ā§Ÿো āĻšাāύি āϏিং āϤাঁāϰ āύāϤুāύ āĻ—াāύāϟি āĻ‰ā§ŽāϏāϰ্āĻ— āĻ•āϰেāĻ›েāύ āĻŦাংāϞাāĻĻেāĻļেāϰ āύোāĻŦেāϞāϜāϝ়ী āĻ…āϰ্āĻĨāύীāϤিāĻŦিāĻĻ āĻĄ. āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύুāϏ-āĻ•ে। āĻ—াāύāϟিāϰ āĻĒ্āϰāĻ•াāĻļেāϰ āĻĒāϰāĻĒāϰāχ āϤা āϏাāĻŽাāϜিāĻ• āϝোāĻ—াāϝোāĻ— āĻŽাāϧ্āϝāĻŽে āĻā§œ āϤোāϞে—āĻŽাāϤ্āϰ āϏাāϤ āĻĻিāύে āχāωāϟিāωāĻŦে āĻ­িāω āĻ›া⧜া⧟ ā§Ģā§Ŧ āĻŽিāϞি⧟āύ, āϟিāĻ•āϟāĻ•-āχāύāϏ্āϟাāĻ—্āϰাāĻŽে āϤৈāϰি āĻšā§Ÿ ā§Šā§Ģ āĻšাāϜাāϰেāϰ āĻŦেāĻļি āĻ­িāĻĄিāĻ“ āϰিāϞ, āĻāĻŦং āĻšাāϜাāϰ āĻšাāϜাāϰ āϤāϰুāĻŖ āĻāχ āĻ—াāύāĻ•ে āĻ•েāύ্āĻĻ্āϰ āĻ•āϰে āĻĄ. āχāωāύুāϏ āϏāĻŽ্āĻĒāϰ্āĻ•ে āϜাāύāϤে āĻļুāϰু āĻ•āϰে। āĻāĻŽāύ āĻāĻ•āϟি āϏাংāϏ্āĻ•ৃāϤিāĻ• āφāĻŦেāĻ—āĻŽā§Ÿ āĻĒ্āϰāĻ•াāĻļāύা āĻŦিāĻļেāώ āĻ•āϰে āĻ­াāϰāϤ-āĻŦাংāϞাāĻĻেāĻļ āϏāĻŽ্āĻĒāϰ্āĻ•েāϰ āĻŦāϰ্āϤāĻŽাāύ āĻĒ্āϰেāĻ•্āώাāĻĒāϟে āĻāĻ• āύāϤুāύ āĻŽাāϤ্āϰা āĻāύেāĻ›ে āĻŦāϞে āĻŽāύে āĻ•āϰāĻ›েāύ āĻŦিāĻļ্āϞেāώāĻ•āϰা।


āĻāχ āĻŽুāĻšূāϰ্āϤে āĻ­াāϰāϤ-āĻŦাংāϞাāĻĻেāĻļ āĻĻ্āĻŦিāĻĒাāĻ•্āώিāĻ• āϏāĻŽ্āĻĒāϰ্āĻ• āϝāĻ–āύ āϏীāĻŽাāύ্āϤ āχāϏ্āϝু, āĻ…āĻ­িāĻŦাāϏāύ, āϜāϞāĻŦāĻŖ্āϟāύ āĻ“ āϰাāϜāύৈāϤিāĻ• āφāĻļ্āϰ⧟ āχāϤ্āϝাāĻĻি āĻŦিāώ⧟ে āϟাāύাāĻĒো⧜েāύেāϰ āĻŽāϧ্āϝে āϰ⧟েāĻ›ে, āϤāĻ–āύ āĻāĻ•āϜāύ āĻ­াāϰāϤী⧟ āϤাāϰāĻ•াāϰ āĻ•āĻŖ্āĻ ে āĻŦাংāϞাāĻĻেāĻļেāϰ āĻāĻ• āφāύ্āϤāϰ্āϜাāϤিāĻ• āφāχāĻ•āύেāϰ āĻĒ্āϰāϤি āĻāĻŽāύ āĻļ্āϰāĻĻ্āϧা āĻĒ্āϰāĻ•াāĻļ—āĻŦিāĻļ্āϞেāώāĻ•āĻĻেāϰ āϚোāĻ–ে ‘āϏাংāϏ্āĻ•ৃāϤিāĻ• āĻ•ূāϟāύীāϤিāϰ āĻŦ্āϝāϤিāĻ•্āϰāĻŽী āωāĻĻাāĻšāϰāĻŖ’ āĻšā§Ÿে āωāĻ েāĻ›ে।

āĻ—াāύāϟিāϰ āĻ•েāύ্āĻĻ্āϰāĻŦিāύ্āĻĻুāϤে āϰ⧟েāĻ›ে āĻāĻ•াāύ্āϤ āĻļ্āϰāĻĻ্āϧা—āĻāĻ•āϜāύ āĻŽাāύুāώেāϰ āϜীāĻŦāύেāϰ āĻ—āϞ্āĻĒ āϝিāύি āĻļুāϧু āύিāϜেāϰ āĻĻেāĻļেāϰ āĻ—āĻŖ্āĻĄি āύ⧟, āĻŦিāĻļ্āĻŦ āĻ…āϰ্āĻĨāύীāϤিāϰ āĻĻāϰ্āĻļāύে āĻāύে āĻĻি⧟েāĻ›েāύ āĻŽাāύāĻŦিāĻ•āϤা āĻ“ āĻ…āύ্āϤāϰ্āĻ­ুāĻ•্āϤিāϰ āύāϤুāύ āϏংāϜ্āĻžা। āĻšাāύি āϏিং āϤাঁāϰ āĻ—াāύāϟিāϰ āĻŽাāϧ্āϝāĻŽে āϤুāϞে āϧāϰেāĻ›েāύ āĻĄ. āχāωāύুāϏেāϰ āĻĒāĻĨāϚāϞা, āĻ­াāĻŦāύা, āĻāĻŦং āϏāĻŽাāϜ āĻĒāϰিāĻŦāϰ্āϤāύেāϰ āϏ্āĻŦāĻĒ্āύ। āĻ—াāύেāϰ āϚāϰāĻŖে āĻŦāϞা āĻšā§Ÿ:

“āĻāĻ•āϜāύ āĻŽাāύুāώেāϰ āϚিāύ্āϤা āĻšāϝ়ে āĻ—েāϞ āĻĻুāϟি āĻ—āϰিāĻŦেāϰ āĻŽāϏিāĻšা āϏāĻŽ্āĻŽাāύ āĻĒেāϞ, āĻŦāĻĻāϞে āĻĻিāϞ āĻŦিāĻļ্āĻŦেāϰ āϧাāϰāĻŖা āĻ›োāϟ āĻ•āĻĻāĻŽে āĻšāϟাāϞ āĻĻাāϰিāĻĻ্āϰ্āϝেāϰ āϜাāϞ āϏ্āĻŦāĻĒ্āύ āφāϰ āϜোāĻļ āĻāĻ–āύ āϏāĻŦাāϰ āĻŽāύে।”

āĻāχ āĻ—াāύে āχāωāύুāϏāĻ•ে “āĻŦাংāϞাāĻĻেāĻļেāϰ āĻ—āϰ্āĻŦ”, “āĻĒāϰিāĻŦāϰ্āϤāύেāϰ āĻ…āύুāĻĒ্āϰেāϰāĻŖা” āĻ“ “āĻĻুāχ āĻ—āϰিāĻŦেāϰ āĻŽāϏিāĻšা” āĻšিāϏেāĻŦে āωāĻĒāϏ্āĻĨাāĻĒāύ āĻ•āϰা āĻšā§ŸেāĻ›ে। āĻāϟি āĻāĻ•āĻĻিāĻ•ে āϝেāĻŽāύ āϤাঁāϰ āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āĻ…āĻŦāĻĻাāύāĻ•ে āϏāĻŽ্āĻŽাāύ āϜাāύা⧟, āϤেāĻŽāύি āĻŦাংāϞাāĻĻেāĻļেāϰ āϏংāĻ—্āϰাāĻŽ āĻ“ āωāύ্āύ⧟āύেāϰ āĻĒāĻĨāĻ•েāĻ“ āωāĻĻāϝাāĻĒāύ āĻ•āϰে।

āĻ­াāϰāϤী⧟ āϤāϰুāĻŖāĻĻেāϰ āϚোāĻ–ে āχāωāύুāϏ āĻ“ āĻŦাংāϞাāĻĻেāĻļ

āĻ—াāύāϟি āĻ­াāϰāϤী⧟ āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻŽাāĻে āĻ—āĻ­ীāϰ āφāĻ—্āϰāĻš āϜাāĻ—ি⧟েāĻ›ে। āĻ…āύেāĻ•েāχ āĻŽāύ্āϤāĻŦ্āϝ āĻ•āϰেāĻ›েāύ—

• “Muhammad Yunus āĻ•ে āφāĻ—ে āϚিāύāϤাāĻŽ āύা, āĻāĻ–āύ āϜেāύে āϏāĻŽ্āĻŽাāύ āĻ•āϰāĻ›ি।”

• “Why don’t we have such visionaries here?”

• “Proud to know such a Nobel man lives next door.”

āĻ āϧāϰāύেāϰ āĻŽāύ্āϤāĻŦ্āϝ āωāĻĒāĻŽāĻšাāĻĻেāĻļেāϰ āϤāϰুāĻŖ āĻĒ্āϰāϜāύ্āĻŽেāϰ āĻŽāϧ্āϝে āĻāĻ•āϟি āφāύ্āϤঃāϏাংāϏ্āĻ•ৃāϤিāĻ• āĻŦোāĻাāĻĒ⧜াāϰ āϏূāϚāύা āĻ•āϰāĻ›ে।

āĻ…āύেāĻ•ে āĻ—াāύāϟি āĻļোāύাāϰ āĻĒāϰ āĻ—ুāĻ—āϞে āϏাāϰ্āϚ āĻ•āϰে āχāωāύুāϏ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻŦিāϏ্āϤাāϰিāϤ āϜেāύেāĻ›েāύ, āϝা āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰে—āϏংāĻ—ীāϤ āĻ•েāĻŦāϞ āĻŦিāύোāĻĻāύ āύ⧟, āĻļিāĻ•্āώাāϰāĻ“ āĻŽাāϧ্āϝāĻŽ āĻšāϤে āĻĒাāϰে।

āĻšাāύি āϏিং-āĻāϰ āĻāχ āϰ্āϝাāĻĒ āĻ—াāύāϟিāϤে āĻĄ. āχāωāύুāϏেāϰ āϏংāĻ—্āϰাāĻŽী āϜীāĻŦāύ, āĻĻাāϰিāĻĻ্āϰ্āϝ āĻŦিāĻŽোāϚāύে āϤাঁāϰ āĻ…āĻŦāĻĻাāύ, āĻ—্āϰাāĻŽীāĻŖ āĻŦ্āϝাংāĻ•েāϰ āĻĒ্āϰāϤিāώ্āĻ া āĻāĻŦং āύোāĻŦেāϞ āĻĒাāĻ“ā§Ÿাāϰ āϘāϟāύাāϏāĻš āϤাঁāϰ āĻŽাāύāĻŦিāĻ•āϤা āĻ“ āϏাāĻŽাāϜিāĻ• āωāĻĻ্āĻ­াāĻŦāύেāϰ āϚিāϤ্āϰ āϤুāϞে āϧāϰা āĻšāϝ়েāĻ›ে। āĻšাāύি āϏিং āĻ—াāύেāϰ āĻšিāύ্āĻĻি āĻ…ংāĻļে āχāωāύুāϏāĻ•ে "āĻĻুāχ āĻ—āϰিāĻŦেāϰ āĻŽāϏিāĻšা", "āĻĒāϰিāĻŦāϰ্āϤāύেāϰ āĻ…āύুāĻĒ্āϰেāϰāĻŖা" āĻāĻŦং "āĻŦাংāϞাāĻĻেāĻļেāϰ āĻ—āϰ্āĻŦ" āĻšিāϏেāĻŦে āωāĻĒāϏ্āĻĨাāĻĒāύ āĻ•āϰেāĻ›েāύ।

āĻ—াāύেāϰ āĻāĻ•āϟি āĻ…ংāĻļে āĻŦāϞা āĻšāϝ়েāĻ›ে:

“āĻāĻ•āϜāύ āĻŽাāύুāώেāϰ āϚিāύ্āϤা āĻšāϝ়ে āĻ—েāϞ āĻĻুāϟি āĻ—āϰিāĻŦেāϰ āĻŽāϏিāĻšা

āϏāĻŽ্āĻŽাāύ āĻĒেāϞ, āĻŦāĻĻāϞে āĻĻিāϞ āĻŦিāĻļ্āĻŦেāϰ āϧাāϰāĻŖা

āĻ›োāϟ āĻ•āĻĻāĻŽে āĻšāϟাāϞ āĻĻাāϰিāĻĻ্āϰ্āϝেāϰ āϜাāϞ

āϏ্āĻŦāĻĒ্āύ āφāϰ āϜোāĻļ āĻāĻ–āύ āϏāĻŦাāϰ āĻŽāύে।”

āĻāχ āĻŽুāĻšূāϰ্āϤে āĻ­াāϰāϤ-āĻŦাংāϞাāĻĻেāĻļ āϏāĻŽ্āĻĒāϰ্āĻ• āϝāĻ–āύ āϰাāϜāύৈāϤিāĻ• āĻ“ āĻ—āĻŖāĻŽাāϧ্āϝāĻŽিāĻ• āϏ্āϤāϰে āĻ•িāĻ›ুāϟা āϜāϟিāϞ, āϤāĻ–āύ āĻ­াāϰāϤী⧟ āĻļিāϞ্āĻĒী āĻ•āϰ্āϤৃāĻ• āĻŦাংāϞাāĻĻেāĻļেāϰ āĻāĻ•āϜāύ āφāύ্āϤāϰ্āϜাāϤিāĻ• āφāχāĻ•āύāĻ•ে āϏāĻŽ্āĻŽাāύ āϜাāύাāύো āϘāϟāύাāϟি āĻŦিāĻļেāώ āϤাā§ŽāĻĒāϰ্āϝ āύি⧟ে āϏাāĻŽāύে āĻāϏেāĻ›ে।

āĻāχ āĻ—াāύāϟি āϤāϰুāĻŖ āĻĒ্āϰāϜāύ্āĻŽেāϰ āĻŽাāĻে āχāϤিāĻŦাāϚāĻ• āĻŦাāϰ্āϤা āĻ›ā§œি⧟ে āĻĻিāϚ্āĻ›ে, āϝা āĻĄ. āχāωāύুāϏেāϰ āφāĻĻāϰ্āĻļ, āĻŽাāύāĻŦāϤা āĻ“ āϏাāĻŽাāϜিāĻ• āωāĻĻ্āĻ­াāĻŦāύāĻ•ে āωāĻĻāϝাāĻĒāύ āĻ•āϰāĻ›ে।

āĻ­াāχāϰাāϞ āĻĒāϰিāϏংāĻ–্āϝাāύ: āĻ—াāύেāϰ āĻā§œে āĻŽাāϤো⧟াāϰা āϤāϰুāĻŖ āĻĒ্āϰāϜāύ্āĻŽ

āĻĒ্āϰāĻ•াāĻļেāϰ āĻĒāϰ āĻ—াāύāϟি āĻŽাāϤ্āϰ ā§­ āĻĻিāύেāχ āχāωāϟিāωāĻŦে ā§Ģā§Ŧ āĻŽিāϞি⧟āύেāϰ āĻŦেāĻļি āĻ­িāω āĻ…āϰ্āϜāύ āĻ•āϰে। āĻāĻ›া⧜া āĻ—াāύāϟি āύি⧟ে āϟিāĻ•āϟāĻ•ে ā§Šā§Ģ āĻšাāϜাāϰেāϰ āĻŦেāĻļি āĻ­িāĻĄিāĻ“ āϰিāϞ, ā§Ž.⧍ āϞাāĻ– āϞাāχāĻ•, āĻāĻŦং ā§§.ā§§ āϞাāĻ–েāϰāĻ“ āĻŦেāĻļি āĻŽāύ্āϤāĻŦ্āϝ āĻĻেāĻ–া āϝা⧟। āχāύāϏ্āϟাāĻ—্āϰাāĻŽে #YunusSong, #HoneySinghRespect, āĻāĻŦং #BangladeshPride āĻš্āϝাāĻļāϟ্āϝাāĻ—ে āĻ›ে⧟ে āϝা⧟ āĻĢিāĻĄ।

• āĻ…āύেāĻ•ে āϤাāĻ•ে “Game Changer of South Asia” āĻŦāϞেāĻ›েāύ

• āĻ•েāω āĻ•েāω āϞিāĻ–েāĻ›েāύ, “Why don’t we have such visionaries here?”

āĻāĻŽāύ āĻŽāύ্āϤāĻŦ্āϝ āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰে, āĻ­াāϰāϤী⧟ āϏাāϧাāϰāĻŖ āĻŽাāύুāώ āĻŦাংāϞাāĻĻেāĻļেāϰ āĻĒ্āϰāϤিāĻ­া āĻ“ āĻ…āϰ্āϜāύāĻ•ে āϏāĻŽ্āĻŽাāύ āϜাāύাāϤে āĻĒ্āϰāϏ্āϤুāϤ, āϝāĻĻি āϤা āωāĻĒāϏ্āĻĨাāĻĒāύ āĻ•āϰা āĻšā§Ÿ āχāϤিāĻŦাāϚāĻ•āĻ­াāĻŦে।

āĻ—াāύāϟি āĻ­াāϰāϤী⧟ āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻŽাāĻে āĻ—āĻ­ীāϰ āφāĻ—্āϰāĻš āϜাāĻ—ি⧟েāĻ›ে। āĻ…āύেāĻ•েāχ āĻŽāύ্āϤāĻŦ্āϝ āĻ•āϰেāĻ›েāύ—

• “Muhammad Yunus āĻ•ে āφāĻ—ে āϚিāύāϤাāĻŽ āύা, āĻāĻ–āύ āϜেāύে āϏāĻŽ্āĻŽাāύ āĻ•āϰāĻ›ি।”

• “Why don’t we have such visionaries here?”

• “Proud to know such a Nobel man lives next door.”

“āχāωāύুāϏ āϏ্āϝাāϰেāϰ āϏāĻŽ্āĻĒāϰ্āĻ•ে āφāĻ—ে āϜাāύāϤাāĻŽ āύা, āĻ—াāύāϟা āĻĻেāĻ–ে āĻ—ুāĻ—āϞ āĻ•āϰে āϜেāύেāĻ›ি—āωāύি āϞিāϜেāύ্āĻĄ।”

āĻāĻ—ুāϞো āĻ•েāĻŦāϞ āĻŦিāύোāĻĻāύেāϰ āĻĒ্āϰāϤিāĻ•্āϰি⧟া āύ⧟—āĻāχ āĻ—াāύ āϤāϰুāĻŖ āĻĒ্āϰāϜāύ্āĻŽāĻ•ে āĻ…āύুāĻĒ্āϰাāĻŖিāϤ āĻ•āϰāĻ›ে āĻāĻ•āϜāύ āĻŽাāύāĻŦিāĻ• āύেāϤাāϰ āĻ•াāĻšিāύি āϜাāύāϤে āĻ“ āĻļিāĻ–āϤে।

āĻ—াāύāϟি āĻĒ্āϰāĻ•াāĻļেāϰ āĻĒāϰ āĻŽাāϤ্āϰ āĻāĻ• āϏāĻĒ্āϤাāĻšেāϰ āĻŽāϧ্āϝে āχāωāϟিāωāĻŦে ā§Ģā§Ŧ āĻŽিāϞি⧟āύেāϰ āĻŦেāĻļি āĻ­িāω āĻšā§ŸেāĻ›ে āĻāĻŦং āϟিāĻ•āϟāĻ• āĻ“ āχāύāϏ্āϟাāĻ—্āϰাāĻŽে āĻšাāϜাāϰ āĻšাāϜাāϰ āχāωāϜাāϰ āĻ—াāύāϟি āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āύিāϜেāĻĻেāϰ āĻ­িāĻĄিāĻ“ āĻŦাāύাāϚ্āĻ›েāύ।

āĻ­াāϰāϤী⧟ āϤāϰুāĻŖ-āϤāϰুāĻŖীāĻĻেāϰ āĻ…āύেāĻ•ে āĻŽāύ্āϤāĻŦ্āϝে āϞিāĻ–েāĻ›েāύ:

“We didn’t know about Yunus before, now we do, and we respect him.”

“Proud to know such a legend lives in Bangladesh.”

āĻāϟি āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰে, āϏংāϏ্āĻ•ৃāϤি āĻ•āĻ–āύো āĻ•āĻ–āύো āχāϤিāĻšাāϏ āĻ“ āĻŽাāύāĻŦāϤাāϰ āĻĒাāĻ āĻļাāϞা āĻšā§Ÿে āωāĻ āϤে āĻĒাāϰে।

āĻ­াāϰāϤী⧟ āĻŽিāĻĄি⧟া āĻ“ āϰাāϜāύৈāϤিāĻ• āĻĒ্āϰেāĻ•্āώাāĻĒāϟ

āĻŦāϰ্āϤāĻŽাāύে āĻ­াāϰāϤ-āĻŦাংāϞাāĻĻেāĻļ āϏāĻŽ্āĻĒāϰ্āĻ• āĻŦিāĻ­িāύ্āύ āχāϏ্āϝুāϤে āϟাāύাāĻĒো⧜েāύে āϚāϞāĻ›ে-

āĻ­াāϰāϤেāϰ āĻ•িāĻ›ু āĻ—āĻŖāĻŽাāϧ্āϝāĻŽ āĻŦাংāϞাāĻĻেāĻļেāϰ āĻŦিāώ⧟ে āύেāϤিāĻŦাāϚāĻ• āĻĒ্āϰāϚাāϰ āϚাāϞি⧟ে āϝাāϚ্āĻ›ে। āĻāĻŽāύ āĻĒāϰিāϏ্āĻĨিāϤিāϤে āĻāĻ•āϜāύ āĻ­াāϰāϤী⧟ āϤাāϰāĻ•াāϰ āĻŽাāϧ্āϝāĻŽে āĻŦাংāϞাāĻĻেāĻļেāϰ āĻĒ্āϰāϤি āĻļ্āϰāĻĻ্āϧা āĻĒ্āϰāĻ•াāĻļ ‘āϏাংāϏ্āĻ•ৃāϤিāĻ• āĻ•ূāϟāύীāϤি’āϰ (Soft Diplomacy) āĻāĻ• āĻŦ্āϝāϤিāĻ•্āϰāĻŽী āĻĻৃāώ্āϟাāύ্āϤ।

āϰাāϜāύৈāϤিāĻ• āĻŦিāĻļ্āϞেāώāĻ•āĻĻেāϰ āĻŽāϤে, āĻšাāύি āϏিং⧟েāϰ āĻāχ āĻĒāĻĻāĻ•্āώেāĻĒ 'Soft Diplomacy'-āĻāϰ āĻāĻ•āϟি āĻŦ্āϝāϤিāĻ•্āϰāĻŽী āωāĻĻাāĻšāϰāĻŖ। āĻāϟি āϰাāϜāύীāϤিāϰ āĻŦাāχāϰে āĻ—ি⧟ে āĻŽাāύāĻŦিāĻ• āϏংāϝোāĻ— āĻ—ā§œে āϤোāϞে, āϝা āĻĻুāχ āĻĻেāĻļেāϰ āĻŽāϧ্āϝে āϤৃāĻŖāĻŽূāϞ āĻĒāϰ্āϝা⧟ে āϏāĻŽ্āĻĒāϰ্āĻ• āωāύ্āύ⧟āύে āĻ­ূāĻŽিāĻ•া āϰাāĻ–āϤে āĻĒাāϰে।

āĻ­াāϰāϤী⧟ āĻļ্āϰোāϤাāĻĻেāϰ āϚোāĻ–ে āĻĄ. āχāωāύুāϏ āĻ“ āĻŦাংāϞাāĻĻেāĻļ

āĻ—াāύāϟিāϰ āĻŽাāϧ্āϝāĻŽে āĻ…āύেāĻ• āĻ­াāϰāϤী⧟ āύাāĻ—āϰিāĻ• āĻĒ্āϰāĻĨāĻŽāĻŦাāϰ āĻĄ. āχāωāύুāϏ āϏāĻŽ্āĻĒāϰ্āĻ•ে āϜাāύāϤে āĻĒাāϰেāύ। āχāωāϟিāωāĻŦেāϰ āĻŽāύ্āϤāĻŦ্āϝ āĻŦিāĻ­াāĻ—ে āĻĻেāĻ–া āϝা⧟:

āĻ āϧāϰāύেāϰ āĻŽāύ্āϤāĻŦ্āϝ āωāĻĒāĻŽāĻšাāĻĻেāĻļেāϰ āϤāϰুāĻŖ āĻĒ্āϰāϜāύ্āĻŽেāϰ āĻŽāϧ্āϝে āĻāĻ•āϟি āφāύ্āϤঃāϏাংāϏ্āĻ•ৃāϤিāĻ• āĻŦোāĻাāĻĒ⧜াāϰ āϏূāϚāύা āĻ•āϰāĻ›ে।

āĻ…āύেāĻ•ে āĻ—াāύāϟি āĻļোāύাāϰ āĻĒāϰ āĻ—ুāĻ—āϞে āϏাāϰ্āϚ āĻ•āϰে āχāωāύুāϏ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻŦিāϏ্āϤাāϰিāϤ āϜেāύেāĻ›েāύ, āϝা āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰে—āϏংāĻ—ীāϤ āĻ•েāĻŦāϞ āĻŦিāύোāĻĻāύ āύ⧟, āĻļিāĻ•্āώাāϰāĻ“ āĻŽাāϧ্āϝāĻŽ āĻšāϤে āĻĒাāϰে।

āĻ­াāϰāϤ-āĻŦাংāϞাāĻĻেāĻļ āϏāĻŽ্āĻĒāϰ্āĻ•েāϰ āύāϤুāύ āϏুāϰ

āĻšাāύি āϏিং⧟েāϰ āĻāχ āĻ—াāύ āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰে—āϏংāĻ—ীāϤ āĻ“ āϏংāϏ্āĻ•ৃāϤি āϰাāϜāύীāϤিāϰ āϚে⧟েāĻ“ āĻ—āĻ­ীāϰāĻ­াāĻŦে āϜāύāĻ—āĻŖেāϰ āĻŽāύে āĻĒ্āϰāĻ­াāĻŦ āĻĢেāϞāϤে āĻĒাāϰে। āĻāϟি āĻļুāϧুāĻŽাāϤ্āϰ āĻĄ. āχāωāύুāϏেāϰ āĻĒ্āϰāϤি āĻāĻ•āĻ• āϏāĻŽ্āĻŽাāύ āύ⧟, āĻŦāϰং āĻŦাংāϞাāĻĻেāĻļ āύাāĻŽāϟিāϰ āϏাāĻĨেāχ āĻāĻ• āϧāϰāύেāϰ āĻļ্āϰāĻĻ্āϧা āĻ“ āχāϤিāĻŦাāϚāĻ• āĻĒāϰিāϚিāϤি āϤৈāϰি āĻ•āϰāĻ›ে āĻ­াāϰāϤেāϰ āϏংāϏ্āĻ•ৃāϤিāĻ• āĻĒāϰিāϏāϰে।

āĻāχ āĻ—াāύ āĻ­াāϰāϤী⧟ āϤāϰুāĻŖ āĻĒ্āϰāϜāύ্āĻŽāĻ•ে āĻļেāĻ–াāϚ্āĻ›ে, āύেāϤৃāϤ্āĻŦ āĻŽাāύে āĻļুāϧু āϰাāϜāύীāϤি āύ⧟—āĻŽাāύāĻŦāϤা, āωāĻĻ্āĻ­াāĻŦāύ āĻāĻŦং āϏেāĻŦাāĻ“ āύেāϤৃāϤ্āĻŦেāϰ āĻāĻ• āϰূāĻĒ।

āφāύ্āϤāϰ্āϜাāϤিāĻ• āϏāĻŽ্āĻĒāϰ্āĻ• āĻŦিāĻļ্āϞেāώāĻ• āĻĄ. āφāĻŦিāϰ āĻšোāϏেāύ āĻŦāϞেāύ:

“āĻāĻ•āϜāύ āĻ­াāϰāϤী⧟ āĻļিāϞ্āĻĒীāϰ āĻŽুāĻ–ে āχāωāύুāϏেāϰ āĻŽāϤো āĻŦাংāϞাāĻĻেāĻļি āφāχāĻ•āύেāϰ āĻĒ্āϰāĻļংāϏা āύিāĻ›āĻ• āĻ—ীāϤিāĻ•াāĻŦ্āϝ āύ⧟—āĻāϟি āĻāĻ•āϟি āĻŽাāύāĻŦিāĻ• āĻŦাāϰ্āϤা, āϝা āϏীāĻŽাāύ্āϤেāϰ āĻĻে⧟াāϞ āĻ›া⧜ি⧟ে āϝোāĻ—াāϝোāĻ— āϤৈāϰি āĻ•āϰāϤে āĻĒাāϰে।”

āϏাংāϏ্āĻ•ৃāϤিāĻ• āĻŽাāϧ্āϝāĻŽে āĻāĻŽāύ āϏāĻŽ্āĻŽাāύ āĻĒ্āϰāĻĻāϰ্āĻļāύ āĻ•āĻ–āύো āĻ•āĻ–āύো āĻ•ূāϟāύৈāϤিāĻ• āφāϞোāϚāύাāϰ āϚে⧟ে āĻŦেāĻļি āϏ্āĻĨা⧟ী āĻĒ্āϰāĻ­াāĻŦ āĻĢেāϞāϤে āĻĒাāϰে, āĻŦিāĻļেāώ āĻ•āϰে āϏাāϧাāϰāĻŖ āĻŽাāύুāώেāϰ āĻŽাāĻে।

āĻ—াāύেāϰ āĻ›āύ্āĻĻে āĻ—ā§œে āωāĻ āĻ›ে āϏāĻŽ্āĻŽাāύ, āĻ›ā§œাāϚ্āĻ›ে āĻ…āύুāĻĒ্āϰেāϰāĻŖা

āĻšাāύি āϏিং-āĻāϰ āĻāχ āϰ্āϝাāĻĒ āĻ—াāύāϟি āĻļুāϧুāχ āĻāĻ•āϟি āϜāύāĻĒ্āϰি⧟ āĻŽিāωāϜিāĻ• āϟ্āϰ্āϝাāĻ• āύ⧟—āĻāϟি āĻāĻ•āϟি āĻŦাāϰ্āϤা, āĻāĻ•āϟি āĻļ্āϰāĻĻ্āϧাāϰ āĻ•āĻŖ্āĻ āϏ্āĻŦāϰ, āϝা āĻĻুāχ āĻĻেāĻļেāϰ āĻŽāϧ্āϝে āĻŽাāύāĻŦিāĻ• āϏংāϝোāĻ— āĻ—ā§œে āϤুāϞেāĻ›ে।

āĻĄ. āĻŽুāĻšাāĻŽ্āĻŽāĻĻ āχāωāύুāϏ āϝেāĻŽāύ āϤাঁāϰ āĻ•্āώুāĻĻ্āϰ āϚিāύ্āϤা āĻĻি⧟ে āĻŦিāĻļাāϞ āĻĒāϰিāĻŦāϰ্āϤāύ āĻāύেāĻ›েāύ, āϤেāĻŽāύি āĻāχ āĻ—াāύāϟি āĻāĻ–āύ āϞāĻ•্āώ āϤāϰুāĻŖāĻ•ে āĻŦāϞāĻ›ে—āϏাāĻĢāϞ্āϝ āĻŽাāύে āĻ•েāĻŦāϞ āĻ…āϰ্āĻĨ āύ⧟, āϏāĻŽাāϜ āĻĒāϰিāĻŦāϰ্āϤāύেāϰ āĻĻা⧟িāϤ্āĻŦāĻ“।

āĻ āĻ—াāύ āφāϜ āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰেāĻ›ে—āϏংāĻ—ীāϤ āĻĒাāϰে āϏীāĻŽাāύা āĻ›া⧜ি⧟ে āĻ…āύুāĻĒ্āϰেāϰāĻŖাāϰ āĻļāĻ•্āϤি āĻ›ā§œি⧟ে āĻĻিāϤে। āĻ­āĻŦিāώ্āĻ¯ā§Ž āĻĒ্āϰāϜāύ্āĻŽেāϰ āϜāύ্āϝ āĻāϟি āĻāĻ•āϟি āϏ্āĻŽাāϰāĻ•, āĻāĻ•āϟি āĻ—াāύেāϰ āĻŽাāϧ্āϝāĻŽে āϞেāĻ–া āχāϤিāĻšাāϏ, āϝেāĻ–াāύে āĻŦাংāϞাāĻĻেāĻļ, āĻ­াāϰāϤ āĻ“ āĻŽাāύāĻŦāϤাāϰ āϜ⧟āĻ—াāύ āϧ্āĻŦāύিāϤ āĻšāϚ্āĻ›ে āĻāĻ•āϏাāĻĨে।




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